Materials & Manufacturing

Materials are options, until a project reviews them.

The choice of a component changes the budget, the structure, or the approval a drawing needs. What can be made is decided in that review, not on this page.

Oak joinery against lime plaster, in direct sun
Timber. Oak against plaster. Grain, edge and light, before a finish is chosen.Reference

Wood and veneer

  • A solid edge and a veneered panel ask for different thickness, joints, and allowance for movement. That decision sits in the construction, and it is one of the things a drawing has to settle before cutting.
  • Species, grain, and finish change the sample a studio is asked to approve, and they change the budget. Both are reviewed against the piece, not taken from a fixed list.
Leather upholstery in side light, with oak joinery behind it
Upholstery. The hide in side light, before a cloth or a seam is approved.Reference

Upholstery

  • Cloth, leather, and a fully wrapped frame change the seat construction and the number of samples required. They also change the budget of the piece.
  • Where a project asks for a wear or flammability requirement, that requirement is checked during review. Nothing on this page is a certificate or a standing approval.
A marble top with a brass edge, seen from above
Stone and metal. Marble and a brass edge. Thickness and the line of the metal are the decision.Reference

Stone and metal

  • Stone thickness, edge, and the support beneath it change structure, handling, and the drawings that need approval. A metal frame, inlay, or base adds a second fabrication and a second set of drawings.
  • These are options to evaluate together. A combination is feasible only after the project review, not because it appears here.

Enquiry

Bring the material habit of the studio with the schedule.

A preference is a starting point. Structure, budget, and approvals are checked against the piece.